… defined as, ‘comic opera with characters drawn from everyday life’. The term originated in Naples where, I happily found myself magneteering for a few days last week.
My fondness for spaghetti Bolognese was indulged and to get into the swing of things, I rattled through Elena Ferrante’s, ‘My Brilliant Friend’ and ‘The Story of a New Name’, both of which determined me to visit the city if the opportunity arose – which it did at the end of our stint.
The centre of Naples is only 25 minutes by train from Arco Felice. You buy a ticket from the paper shop, validate it by sticking it in a time-stamp machine at the station then, off you go. I discovered that it’s best not to consult a timetable or ask anyone what time the next train will be – neither source is reliable; just turn up at the station – you won’t wait long.
There’s always plenty to look at, in fact the whole experience of being in Italy is just like I imagine a trip to the opera might be; drama, shouting, laughter, people rushing about, and all of it completely unintelligible but hugely entertaining.
Naples is stunning – probably for all the wrong reasons; crumbling, defaced, a bit grubby and reputedly dangerous but nevertheless the energy is palpable. Narrow streets fall away from the station at Montesanto and take you into the heart of the old city where street performers, hawkers, and the blare of car horns all vie for your attention.
I slipped into the Chiesa di San Giuseppe della Scalze a Pontecorvo, now host to occasional markets and exhibitions, to see 150 Italian paintings and sculptures dating from the 14th century to the present day – helpfully arranged chronologically. This Caravaggio was billed as the star of the show and it was a cracker but…
.. this view of Amalfi (I’ve stupidly mislaid my note of the artist’s name but the signature is visible when enlarged) was for me, ‘best of show’.
As I’ve remarked before, someone’s making a lot of money out of spray cans in Naples. I was in the city for only a few hours; enough to see the exhibition, have lunch and a refreshing beer (it was 28° and getting very humid) before I got back on the train and later clocked on to the night shift back in Arco Felice.
The bonus of being on the night shift is the daily spectacle of sunrise. Vesuvius and Capri melt in and out of view as the sea mists come and go; fishing boats start to potter about the bay and stray dogs appear on the beach to look for food left by people I never see but sometimes in the small hours, hear under the pier.
On my return home a week later, I had just enough time to complete one of the trolleys for the barrels on the lower shelf of the stillage in the cellar of my local pub – the idea works very well and saves a lot of struggling with a 70kg weight in a very small space.
Two days later I was back in Sweden where passion and deep emotion were less easily detected in the ordinary fare.